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 "slug": "six-worlds-painted-large",
 "title": "Six Worlds for the Print Lab",
 "dek": "Six worlds, painted large, for a print lab that is now open — a darkroom out back, a wall out front.",
 "published": "2026-09-04",
 "series": [
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 "licence": "CC BY 4.0 for the records; the pictures carry the FLUX.1 [dev] Non-Commercial License and are shown as research receipts, not cleared for other use",
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  "url": "https://research.strata2signal.com/six-worlds-painted-large/",
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    "text": "the paintings were rendered using FLUX.1-dev at 40",
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    "quote": "For the technically curious Everything here came off our 96 GB workstation-class card in one afternoon: FLUX.1-dev at 2048×1280 and 40 steps, 41.0 to 42.2 seconds per painting by the render engine's own clock, the same recipe as last week's dog.",
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   "id": "six-worlds-for-a-print-lab-that-is-coming-soon",
   "heading": "Six worlds for a print lab that is coming soon",
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   "digest": "the print lab is a room where strangers make pictures using six different skins: ink and wash, cut paper, oil, screen-print, claymation, and painted light. the page showcases six large paintings that represent these styles, noting that the lab's actual prints are smaller and produced by a four-billion-parameter model in about eighteen seconds.",
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   "digest": "the author notes that the night market painting included a clay child and a second figure despite a request for no people. additionally, the quiet observatory and other skins like ink and wash or thick oil deviated from the original requests, resulting in images that look more like photographs or cartoons.",
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   "digest": "the exhibit closes by compositing tiles into a twelve by twelve tapestry. every tile a visitor makes lands in a slot on a board of a hundred and forty-four. after a seventy-two hour cure, the board is shown as a single tapestry that includes any voids left by withdrawn tiles.",
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   "digest": "the paintings were rendered using FLUX.1-dev at 2048×1280 and 40 steps. thirty-nine renders were made to select the six shown. because of licensing uncertainties, the pictures are treated as research receipts. two images had sixty pixels cut from the foot to accommodate an invented painter's signature.",
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   "digest": "this section provides links to other related pages, including how the print lab works and a previous page titled Nine Worlds, One Dog.",
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   "q": "what visual styles define the first set of worlds?",
   "a": "The first set of worlds features six distinct skins: ink and wash, cut paper, oil, screen-print, claymation, and painted light.",
   "cites": [
    "six-worlds-for-a-print-lab-that-is-coming-soon"
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   "quote": "",
   "quote_cite": ""
  },
  {
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   "q": "how do the results differ from the initial requests?",
   "a": "Some results deviate from requests, such as the night market world including clay figures despite a no-people rule, or the quiet observatory appearing more like a photograph than painted light.",
   "cites": [
    "two-notes"
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   "published": false,
   "publish_state": "held",
   "quote": "",
   "quote_cite": ""
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   "q": "how does the final tapestry of tiles get formed?",
   "a": "Every tile lands in a slot on a board of one hundred and forty-four. After a seventy-two hour cure, the board is composited into a twelve by twelve tapestry, including any voids left by withdrawn tiles.",
   "cites": [
    "how-the-exhibit-closes"
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   "published": false,
   "publish_state": "held",
   "quote": "",
   "quote_cite": ""
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  {
   "id": "c-589896d5",
   "q": "what technical model produced these specific paintings?",
   "a": "The paintings were produced using FLUX.1-dev at 2048×1280 and 40 steps, with render times ranging from 41.0 to 42.2 seconds.",
   "cites": [
    "for-the-technically-curious"
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   "publish_state": "held",
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   "q": "what happens to the margins of the high pasture image?",
   "a": "Sixty pixels were cut from the foot of the high pasture image to remove an invented painter's signature, resulting in a resize of just under five percent.",
   "cites": [
    "for-the-technically-curious"
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   "quote": "",
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  {
   "id": "c-c4134c23",
   "q": "what legal status do these images currently hold?",
   "a": "Because of ambiguities in the FLUX.1-dev licence regarding non-commercial use and sharing, the pictures are treated as research receipts rather than cleared works.",
   "cites": [
    "for-the-technically-curious"
   ],
   "published": false,
   "publish_state": "held",
   "quote": "",
   "quote_cite": ""
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  {
   "id": "c-f8c3f74c",
   "q": "what other content is available on the site?",
   "a": "The site includes a page explaining how the print lab works and a previous entry titled Nine Worlds, One Dog.",
   "cites": [
    "the-rest-of-the-shelf"
   ],
   "published": false,
   "publish_state": "held",
   "quote": "",
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 ],
 "related": [
  {
   "slug": "how-the-print-lab-works",
   "why": "shares ground with § Six worlds for a print lab that is coming soon · § What it is"
  },
  {
   "slug": "a-dinner-party-for-the-dead",
   "why": "shares ground with § How the exhibit closes · § What it is"
  },
  {
   "slug": "two-3090s-out-one-3090-ti-in",
   "why": "shares ground with § Six worlds for a print lab that is coming soon · § What the sign says"
  }
 ],
 "thanks": "## Who ran this, and thanks {#who-ran-this-and-thanks}\n\nThe worlds here were written by the same small team that builds the print lab. The painters: FLUX.1-dev for the six on this page, under its non-commercial licence, whose row and our hold are on the [licence ledger](/licences/), and FLUX.2 klein 4B (Apache-2.0) — the lab's own small painter — for three candidate renders that are in the kit. Beneath them: ComfyUI (GPL-3.0), the render engine that ran every pass, and the workflow graphs the estate keeps for it; PyTorch (BSD-3-Clause) over CUDA (NVIDIA, proprietary — the one closed piece, and it comes with the card); Pillow (MIT-CMU), which encoded every picture on this page, cropped two margins, and cut four thumbnails. None of them owed us anything. One of us picked the pictures — [how that works](/how-we-work/) is next door.",
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 "generated_utc": "2026-09-11T19:25:17Z"
}